Stacey Derosier

Stacey Derosier

Lighting Designer, The Copper Children

Other theatres: The Refuge Plays (McCarter Theatre Center); School Girls; Or, The African Mean Girls (Berkeley Rep); for all the women who thought they were Mad (Soho Rep.); White Noise (NYU Skirball); Novenas for a Lost Hospital, No One is Forgotten, Lewiston & Clarkston (Rattlestick Playwrights Theater); the bandaged place (NYSAF); Street Scene (Mannes Opera/Gerald W. Lynch Theater); Playing Hot! (Pipeline Theatre Company); The Climb (Cherry Lane Theatre Mentor Project); Balm in Gilead (The New School of Drama); The Last Stop on Market St. (Atlantic Theater Company); Revolt. She Said. Revolt Again (Barnard College); The Good Person of Szechwan, tick, tick…BOOM! (Brown/Trinity Rep); Detroit ’67 (The Juilliard School); LORDES, Don Juan Comes Back From the War (Lenfest Center); The Revolving Cycles Truly and Steadily Roll’d (The Playwright’s Realm, The Duke on 42nd Street); 1969: The Second Man (co-lighting, New York Theatre Workshop Next Door); others.

Honors: Outer Critics Circle Award nomination, Henry Hewes Design Award nomination for Lewiston & Clarkston; Daryl Roth Prize, Lilly Awards.

Education: MFA, Tisch School of the Arts; BA in Studio Art, Dartmouth College.

www.staceyderosier.com