Christopher Acebo

Associate Artistic Director

Christopher Acebo

Scenic Designer, Fingersmith; Long Day’s Journey into Night; Head Over Heels

In nine seasons at OSF: Scenic design, All the Way (Broadway, Seattle Rep, ART); The Great Society; A Streetcar Named Desire; King Lear; Seagull; The Very Merry Wives of Windsor, Iowa; The Imaginary Invalid; The Language Archive; Love’s Labor’s Lost; Hamlet; Cat on a Hot Tin Roof; Throne of Blood; Equivocation; Dead Man’s Cell Phone; All’s Well That Ends Well; The Clay Cart; The Further Adventures of Hedda Gabler; Romeo and Juliet; The Two Gentlemen of Verona. Costume design, The Tenth Muse, The Imaginary Invalid, Othello. 

Other theatres: World premieres include Throne of Blood (Brooklyn Academy of Music); The Clean House (Yale Repertory Theatre); Zorro in Hell (Berkeley Repertory Theatre, La Jolla Playhouse); My Wandering Boy, The Further Adventures of Hedda Gabler, The Beard of Avon, Hold Please (South Coast Repertory); Living Out, Chavez Ravine, Breakfast, Lunch and Dinner (Mark Taper Forum); Electricidad (Goodman Theatre); also, Lincoln Center Theater, Guthrie Theater, Denver Center Theatre Company, Center Theatre Group, Kennedy Center, Missouri Repertory Theatre, Portland Center Stage, Pasadena Playhouse, The Children’s Theatre Company, among others. 

Other: Oregon Arts Commissioner. 

Education: MFA, University of California, San Diego.