review

Australian director Gale Edwards is working her way through Shakespeare's canon, and after twenty years of direction in the US and abroad, Edwards delivers a dark, yet forward thinking production of The Scottish Play that tries to focus on the inner turmoil and choices of Macbeth, as well as the cyclical, generational choices of humanity, with images of a war-torn state ravaged by ambition, and the conscious decision to be or not to be plagued by the power of a prophetic past.

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