Sarah Pickett

Sarah Pickett

Composer and Sound Designer, The Count of Monte Cristo

In three seasons at OSF: Richard III, Much Ado about Nothing, A Midsummer Night’s Dream.

Other theatres: New York: Othello, Macbeth, Measure for Measure (Theatre for a New Audience); Aliens with Extraordinary Skills (Women’s Theatre Project). Regional: Antony and Cleopatra, Twelfth Night, All’s Well That Ends Well, Shakespeare’s Will, Les Liaisons Dangereuses, The Cure at Troy, Of Mice and Men (American Players Theatre); Red, Santaland Diaries (Portland Center Stage); Hamlet, A Delicate Balance, Death of a Salesman (Yale Repertory Theatre); The Winter’s Tale, Venus in Furs (Asolo Repertory Theatre); Nicholas Nickleby, All My Sons (PlayMakers Repertory Company); To Kill a Mockingbird (Dallas Theater Center); Italian American Reconciliation (Long Wharf Theatre); Gypsy (Drury Lane at Oakbrook); We Are Proud to Present . . . (Victory Gardens Theater); It’s a Wonderful Life (Center Stage–Baltimore); All the Names (Quantum Theatre).

Other credits: Teaching: Faculty at Carnegie Mellon University School of Drama, teaching sound design and music composition. 

Education: MFA, Yale School of Drama; MA, Cornell University; BFA, Syracuse University.