Plays in Conversation image

Plays in Conversation

  • March 30 - March 31, 2013
Overview

Explore The Taming of the Shrew and My Fair Lady

PLEASE NOTE: At this time classes may not be purchased online. Please call Group Sales to register.
Phone: (541) 488-5406,
Toll Free: (866) 545-6337
Monday - Friday, 9:30 a.m. - 5:00 p.m.


Plays in Conversation: The Taming of the Shrew and My Fair Lady is a weekend class (March 30 - 31) devoted to exploring and discussing the portrayals of women in Shakespeare and an American musical classic.

Class sessions will be led by Susan Jonas and will include class visits from OSF company members.

The class fee of $230 includes a ticket to The Taming of the Shrew and My Fair Lady. Tickets to Two Trains Running are available at an additional cost. Participants can also purchase the "class-only option" for $125 if you prefer to purchase your own ticket or attend the play at another time.


more information +

If you are purchasing the class and play ticket, a non-refundable deposit of $50 per person per class is required at the time of booking. Payment in full must be received by the Box Office three weeks before the first day of class. No refunds will be made after the three-week deadline. If purchasing the class only, full payment is required at the time of purchase.

Registration for this event closes three weeks prior to the first day of class.

Plays in Conversation: The Taming of the Shrew and My Fair Lady
March 30 - 31, 2013
Tentative Schedule


Saturday, March 30
9:00 a.m. Introductions and class session
11:30 a.m. Break
1:30 p.m. Attend My Fair Lady* – Angus Bowmer Theatre
8:00 p.m. Attend The Taming of the Shrew* – Angus Bowmer Theatre

Sunday, March 31
9:00 a.m. Class session
11:30 a.m. Break
1:30 p.m. Attend Two Trains Running** – Angus Bowmer Theatre

*Participants who have paid for the class and ticket option will attend these performances.
**Participants can attend these performances at an additional cost.

Susan Jonas is a dramaturg, educator and playwright. She’s held leadership positions at The Acting Company, Classic Stage Company, Ensemble Studio Theatre and the Classical Theatre of Harlem; co-edited Dramaturgy in American Theater: A Source Book; contributed to American theatre and other publications; and cofounded “50/50 in 2020,” a grassroots organization advocating parity for women in theatre by the 100th anniversary of suffrage. Currently she is curating at The New School in New York City, On Her Shoulders, a reading series dedicated to restoring classic plays by women to theatre history, the canon and the living repertory. She did her undergraduate degree at Princeton University and received a D.F.A. from the Yale School of Drama.