Production Photo from The Way the Mountain Moved
View Content with Credit

The Way the Mountain Moved

By Idris Goodwin Directed by May Adrales American Revolutions World Premiere
July 10 – October 28, 2018 Thomas Theatre

At the crossroads of a young nation

In the world-premiere commission by OSF’s American Revolutions written by acclaimed playwright Idris Goodwin and directed by May Adrales (Vietgone), this powerful journey into the genesis of the Transcontinental Railroad explores the often untold perspectives on an iconic chapter in American History and the events that shaped the country’s moral and environmental future. In a remote desert in the 1850s, four men—a U.S. Army lieutenant, a sharpshooter, a botanist and an artist—set out to survey a route for the new continent-spanning railroad. After being scattered on separate odysseys, they cross paths with lost pioneers, cautious Native Americans, and an African-American Mormon couple unsure whether to befriend, fight or flee the newcomers. Whose dreams will prevail? This play joins All The Way, Roe, Sweat and other American Revolutions commissions that explore key moments of change in U.S. history.

Development of The Way the Mountain Moved was supported by grants from The Andrew W. Mellon Foundation and The Harold and Mimi Steinberg Charitable Trust.

Length: Approximately 2 hours, 15 minutes, including one intermission

  • LEAD SPONSOR
  • Louise Gund
  • SPONSORS
  • Edgerton New Play Award Logo
  • Amy and Mort Friedkin
  • The Hobbes Family
  • PARTNERS
  • Nancy and Donald de Brier
  • Cynthia Muss Lawrence
  • National Endowment for the Arts
Suitability Suggestions

Suitable for middle and high school groups, The Way the Mountain Moved will provide students with a deeper understanding of a significant period in U.S. history.

Accessibility

The Thomas Theatre is outfitted with an elevator to the theatre level.

The Oregon Shakespeare Festival is committed to accessibility. We recognize the needs of persons with disabilities and strive to make our facilities and productions accessible to all. OSF offers a variety of accommodations, outlined here.

En la encrucijada de una nación joven

Esta obra en estreno mundial fue comisionada por OSF American Revolutions y escrita por el aclamado autor de teatro, Idris Goodwin. May Adrales (Vietgone), dirige el poderoso viaje hacia los orígenes del Transcontinental Railroad (carril transcontinental). La obra explora perspectivas muchas veces no contadas acerca de un capítulo icónico de la historia americana y los eventos que formarían el futuro tanto moral como ambiental del país. En un desierto remoto de los años 1850, cuatro hombres – un teniente del ejército de los Estados Unidos, un tirador de primera, un científico botánico y un artista – emprenden un estudio de apeo de la ruta del nuevo carril que abarcaría el continente. Después de dispersarse los cuatro en odiseas separadas, sus caminos se cruzan con pioneros extraviados, cautelosa gente indígena y una pareja áfrica-americana mormona que no saben si ofrecer amistad, pelearse o huirse de los desconocidos recién llegados. ¿Cuáles sueños triunfarán? Esta obra se junta a las obras All the Way, Roe y Sweat  que fueron comisionadas por American Revolutions para examinar momentos claves de cambio de la historia de los Estados Unidos.

El desarrollo de Cómo se movió la montaña es apoyado por dotaciones de The Andrew W. Mellon Foundation y The Harold and Mimi Steinberg Charitable Trust.

Sugerencias de idoneidad 

Cómo se movió la montaña es una obra idónea para grupos de estudiantes  de secundaria y preparatoria y les proporcionarán una mayor comprensión de una época significante de la historia de los EEUU.

Accesibilidad

El Teatro Thomas cuenta con elevador al nivel del teatro.

El Oregon Shakespeare Festival se compromete a la accesibilidad. Reconocemos a las necesidades de los patrones con discapacidades y nos esforzamos a asegurar que nuestras instalaciones y producciones les sean accesibles a todos. OSF ofrece una variedad de acomodaciones, aquí descritas here.

Production Photo from The Way the Mountain Moved
View Full Image with Credit Sara Bruner, Maddy Flemming. Photo by Jenny Graham.
Production Photo from The Way the Mountain Moved
Sara Bruner, Maddy Flemming. Photo by Jenny Graham.
e-Luminations: Many Names, Many Nations
When white Europeans first arrived in North America, the continuent’s Indigenous population  was incredibly diverse; Native American groups spoke 300 to 500 distinct languages, compared to Europe’s 40 to 70. The area occupied by the current state of Utah alone sustained the Diné (Navajo), Kusiutta (Goshute), Nuutsiu (Ute), Newe (Shoshone), Nuwuvi (Southern Paiute) and Numa (Northern Paiute) tribes—each group further divided into autonomous bands, with names reflecting regional and dietary differences.

The Nuutsiu and Diné peoples likely acquired horses in the 1600s, which led to the rise of warrior culture, larger trade networks and conflicts with other tribes over land. In the  1700s, the Spanish exposed these groups to market economics (versus traditional economies of reciprocal exchange) and chattel slavery. Warriors soon began capturing Nuwuvi and Kusiutta children and young women to sell to the Spanish as slaves.

The Nuwuvi and Kusiutta, on the other hand, resisted using horses. To survive in the dry desert, they had become expert in using over 80 different plant foods, including seeds from the grass that horses would have devoured. Both groups practiced a seasonal cycle of nomadic gathering and small-scale farming. And both groups preferred to respond to Nuutsiu and Diné depredations peacefully—by moving or hiding their camps in increasingly remote areas.

When Mormons settled in Nuwuvi lands in 1851, the tribe initially welcomed the newcomers as protection from their aggressive neighbors. However, the Mormons swiftly occupied Nuwuvi water sources and farmland, leaving the people so desperate for food that many sold their children to the church members (perhaps as a way to keep them nearby and fed) and submitted to serving as the settlers’ manual labor force. Eventually, however, they began to fight back. It is in this context that the 1853 murder of Captain John Gunnison and seven members of his survey team was blamed on the Nuwuvi; it was later discovered to be a band of Nuutsiu, avenging a member killed by whites. 

—Laura A. Brueckner 

Reprinted from OSF’s 2018 Illuminations, a 64-page guide to the season’s plays. Members at the Donor level and above and teachers who bring school groups to OSF receive a free copy of Illuminations.

Creative Team

* Member of Actors' Equity Association (AEA)

Cast

Ensemble: Sara Bruner*, Christiana Clark*, Al Espinosa*, Maddy Flemming, Robert Vincent Frank*, Rodney Gardiner*, Michael Gabriel Goodfriend*, Shyla Lefner*, Jen Olivares**, Julian Remulla**, Christopher Salazar*, Krista Unverferth, Rex Young*

* Member of Actors' Equity Association (AEA)
** AEA Professional Theatre Intern

Our 2018 Season